Share, , , Google Plus, Reddit, Pinterest, StumbleUpon

Print

Posted in:

Crystal clear sounds at stunning BPO “Twentieth Century Classical” concert at Kleinhans, repeats Saturday

Have you ever been to a familiar restaurant where one night all the different flavors on the plate seemed fresh and the whole dinner was a joyous voyage of discovery? Well, that’s what it was like musically at Kleinhans Music Hall on Friday morning for a three-work concert that will be offered again this Saturday night, October 13, at 8:00 p.m.

And, just as restaurants often have “pairings” of foods that complement one another, even if you don’t immediately see the connection, each of the three works on the JoAnn Falletta-conducted program had elements in common – moments of sweeping rapture, crystalline purity, and good old bat-out-of-hell energy.

The concert opened with “Dark Mountains” by the Buffalo-born, 48-year-old Robert Paterson, a graduate of the Buffalo Academy for visual and Performing Arts, as well as Eastman, Indiana, and Cornell, who was inspired by living in Vermont, sometimes gazing out at the mountains and sometimes navigating twisty mountain roads at night. The piece sounded like movie music and talk about putting a scene right in front of your ears, you didn’t have to work very hard to get the feeling of being in the mountains, right down to the quiet as a woodland owl ending.

The second half of the concert was given over to Rachmaninov’s 3rd and final symphony. Not as “popular” as its more famous sibling, the 2nd Symphony with the “Never Gonna Fall in Love Again” theme, this was only the fourth performance at Kleinhans (versus ten performances to date for the 2nd). Falletta loves Rachmaninov and his hyper-romanticism fused with a 20th century consciousness is right in her wheelhouse. The music of Ravel and Strauss and lesser-knowns such as Schmidt and Tyberg is the music she seems born to conduct. The acoustics at Kleinhans Music Hall are legendary and Falletta never let this “Rocky III” get mushy. Each musical treat stayed crisp and clear.

But what I really wanted to hear was the Violin Concerto by 20th century American Samuel Barber and I am so glad that I was there. In my former career as full-time classical music host for WNED, I must have played this concerto on the air at least three dozen times. I thought I knew it. Hah! The way violinist Paul Huang played it and JoAnn Falletta conducted it was as if I’d never heard it before.

It’s not your typical classical or romantic era violin concerto, where the soloist plays in contrast to the orchestra.

It’s not your typical classical or romantic era violin concerto, where the soloist plays in contrast to the orchestra. Here, the soloist and the orchestra work together, and while of course the violin has beautiful moments, so do the clarinet (William Amsell) and oboe (Henry Ward). It’s a group hug, no doubt about it. But this Taiwan-born 20-something has a sound that you are not going to forget. Full Disclosure: He does have a “secret weapon.” As much as we all talk about Stradivarius violins, the violins that most Strad players secretly covet are the ones made by the maker whose imprint was “Guarneri del Gesu” with a bigger, fuller, darker, huskier, smokier, sexier sound than the Strads. Huang plays on the 1742 ex-Wieniawski (a very famous 19th century Polish violin virtuoso) Guarneri del Gesù on loan through the generous efforts of the Stradivari Society of Chicago. If you’ve never heard a Guarneri del Gesu in the hands of a master, here’s a rare opportunity.

By the way, you can hear a little of the Barber Concerto in Huang’s video biography.

And you can hear his incredibly rich sound in this music by Sarasate.

Unfortunately, despite raucous applause on the part of the audience and the orchestra too, there was no encore Friday morning. So, as I’ve written before, when you go tonight, keep clapping until you get that encore. Hopefully, it will be something from his CD, “Intimate Inspiration, a collection of favorite virtuoso and dramatic encore pieces” which is available at intermission in the Kleinhans lobby.

When you go tonight, keep clapping until you get that encore.

Kleinhans Music Hall is located at “3 Symphony Circle” Buffalo, 14201 where Porter Avenue, Richmond Avenue, North Street and Wadsworth meet at a traffic circle. Visit www.bpo.org or call 716-885-5000. The concert starts at 8:00 p.m. but there’s almost always a “Musically Speaking” event in the main hall an hour before if you want to learn more about the players or the music and there’s usually free entertainment across the lobby in the Mary Seaton Room.

UP NEXT AT KLEINHANS: On Friday morning and Saturday evening, October 19 and 20, it’s the music of Irving Berlin protégé Jerry Herman, with songs from MAME, as well as HELLO, DOLLY! and LA CAGE AUX FOLLES, but also from lesser known musicals such as DEAR WORLD and MACK AND MABEL.

Then, the next day, Sunday, October 21 at 2:30 p.m., as part of the “BPO Kids” series, it’s the SYMPHONIC SPOOKTACULAR with appropriate classical and movie music conducted by Todd Craven. The concert starts at 2:30 but families are always advised to arrive an hour early to participate in lobby activities. Traditionally, there’s a march across the stage for anyone in a costume and, also by tradition, the orchestra members dress up for this one at well.

Written by Peter Hall

Peter Hall

Peter Hall continues trying to figure out how "it" all works. For 20 years, as program host on Classical 94.5 WNED and continuing on-stage with the Buffalo Chamber Music Society, he's conducted over 1,000 interviews with artists as he asks them to explain, in layman's terms, "what's the big picture here?"

As mentioned recently in Buffalo Spree magazine, Peter's "Buffalo Rising reviews are the no-holds barred 'everyman's' take." And, on “Theater Talk” (heard Friday mornings at 6:45 and 8:45 a.m. on WBFO 88.7 FM and Saturday afternoons at 5:55 p.m. on Classical 94.5 WNED) his favorite question of co-host Anthony Chase is simply "What's goin' on?"

A member of Buffalo's Artie Awards Committee, Peter holds a B.A. in Comparative Literature from Columbia University and an M.B.A. from SUNY at Buffalo. For over twenty-five years he has been an adjunct professor for Canisius College’s Richard J. Wehle School of Business.

View All Articles by Peter Hall
Hide Comments
Show Comments