The Burchfield-Penney Art Center Opens Minds

Earlier today we took our first walk through the brand new Burchfield-Penney Art Center. By the end of the visit I must say that I was a bit disappointed. Why? Because after walking through the entire complex, I found myself wishing that I had gone to the membership gala the night before. That was when thousands of members/supporters came together to revel in the glory that is The Burchfield-Penney Art Center.
The art center experience certainly lives up to all the hype that has been building for the last couple of years. From the sweet time-lapse video show that greets each visitor, to the 'flower blobs bloom' room, the 31-hour (straight) grand opening is a multicultural and ageless showing of art, space and time. It's a modern day journey through the work of regional artists the likes of no other. Around every corner there are sights and sounds presented in a 'real live' format - no TV shows... no computer games... just fascinating multimedia works produced by fascinating multi-talented people.

Did you ever see the movie Ferris Bueller's Day Off? Remember the scene where the students ditch school and head for the Chicago Museum of Art? That scene popped into my head today when I saw all of the young people (no parents to be seen) walking around visually acting out their emotions. It was such an inspiring day - to be part of the celebration of the opening of New York's first green museum. To walk into a state-of-the-art auditorium packed with art enthusiasts who had come to listen to lectures. To see people lined up at the information desk asking about programming and memberships. To see people do a lap around the inside of the museum, only to turn around and do a lap back the other way around. To be lost inside an art center and know that whichever direction you choose to go will be the best direction. This weekend marks another chapter in the rebirth of Buffalo. To know that The Burchfield-Penney Art Center is accessible from here on out is a larger than life feeling.

As we mentioned in our previous post, we’re in the process of changing the Buffalo Rising site. We’re almost there as we expect to launch the new site on Friday, December 19th.
In the meantime, posting will be light as we log new stories in the new publishing system which will only be viewable when we launch on Friday.
As always, we appreciate our users’ patience as we make this transition but we promise it will be well worth it. With faster load times, a comment view …
Caroline Kennedy was in town for a visit with our mayor yesterday. A possible choice to succeed US Senator Hillary Rodham Clinton, Kennedy's name has been mentioned along with that of Attorney General Andrew Cuomo (son of former New York Governor Mario Cuomo) and our own Byron Brown, among others.
Certainly, Kennedy has "been around politics" all of her life, which is to say she was born into a family of politicos and lived in the White House--neither of which would necessarily f …
Free light rail rides on downtown's above ground section could be derailed thanks to the Niagara Frontier Transportation Authority's budget mess. That is the news coming out of a Buffalo Place meeting this morning. Facing a budget shortfall and reduced State operating assistance, the NFTA is scrambling for new revenue sources and is contemplating charging for rides along the lengthy downtown pedestrian mall.
Well it is Christmas time in the city and the NFTA helped put people and especially children into the mood in a very festive and fun way. One of my favorite memories of childhood was taking the train downtown with my grandfather. I would gaze out the windows and watch the tunnel speed by. It always felt like we were going a million miles an hour.
Then there was the ability to stand up and walk around during the ride without the need to be strapped down. It was always a fun time … 




Comment Options
jamesbflo
so, has anybody been? what do you think?
Report this
patrickwillett
What do I think.... Well, it's an absolutely beautiful space, designed from the inside out with displaying art as the top priority. The preview night was very well attended, everyone I saw had a big smile and a sense of awe. I can not think of anything about the new Burchfield-Penney that is not first class. The materials, the lighting, the huge expanse of the galleries, even the acoustics of the auditorium, all great.
There is and should be great enthusiasm when a museum is built in a city for the first time in almost a century. All the criticisms I have heard and read about this building before anyone had seen the inside, points out the negativity that sometimes cripples progress in this city. This building is a great leap forward for art and culture in Buffalo, celebration is in order, everyone else, get out of the way.
Report this
carlmalone
Pat:
It really is a nice job. First rate job with the light and focus on art, can't wait until a few less people are in there so I can yell a little to test the acoustics which seem great.
I'm sure Eric Oak will chime in with some bs comment even though the guy and his partner have never stepped foot in there. What did Mao use to say, something like conclusions invariably come after investigation, and not before. As a communist, he should appreciate that.
Report this
katiesehr
what's with the big digital print - ugh. such a waste of prime space - it's a big poster, people - I can't believe I am the only one who was disappointed by that piece.
Report this
katiesehr
i can't believe i am postin' about posters. HA! aaaaaa.........oh hum.
Report this
hamp
The inside is beautiful.
But, please give me one example of an instance when "negativity" has crippled progress in this city?
Report this
JohnB
Wonderful space . The trees on the outside help to soften the space. Love the sky lights above the grand staircase. Cafe could be a bit bigger. Gift shop is nice. The galleries are awesome. Look forward to some incredible exhibitions in the future.
Report this
RaChaCha
I'd heard that the new museum would include space for the Metcalfe rooms, which are Stanford White-designed interiors that were rescued from the Metcalfe House at Delaware and North before it was demolished. I visited them a couple of years ago at B-P at Rockwell Hall, where display space had been built for them. None of the publicity I've heard so far has mentioned the Metcalfe rooms - are they somewhere in the new museum--?
Report this
jamesbflo
Went early this morning and they had people throughout the galleries simultaniously chanting what i'm assuming were buddhist things. The echos filled the entire building and it was an extremely trippy experience looking at the art with that going on in the background. It was about 6am and alot of rooms were closed so it seemed a bit small to me... i'm hoping thats only because parts were closed off. The building is gorgeous especially those skylights over the stairs. I particularly liked the grid paper thing in the experimental room and the glass bottle installation in the main gallery.
On my drive home I thought to myself there needs to be 1 more museum for it to truly be a museum district. How about an architectural museum built over the scajacquada connecting bechs with the other 2. That would be extremely expensive but a building built over a highway would truly warrant the distinction of being an architectural museum.
Report this
sonyactivision
^ An architectural museum that would be a much more appropriate space to exhibit the Metcalfe rooms.
Report this
Bufago
what about the #&^%ing art?
Report this
eliz
That is not a digital print; it is a mixed media mural utilizing photography and painting consisting of 100s of parts. It was originally installed at the Brooklyn Art Museum in 1989. It should be seen in person to be appreciated.
Report this
RaChaCha
James, the current planning for the Richardson/Olmsted complex includes an architecture museum/center. There's a bit more here: http://www.buffalorising.com/story/_in_a_recent_comment
It won't be over the Scajacquada, but will be in the vicinity.
I think it's a great idea to futher integrate BECHS into the rest of the museum district. I was talking about BECHS with someone here recently, and even though they are familiar with the museum district in Buffalo, they had the hardest time understanding where BECHS is - since it doesn't front on Elmwood, and is across the creek.
What I'd love to see is BECHS move its collections to the Richardson Complex at some point, and have the BECHS building converted to a gallery for historic art. In My Fair City, I live around the corner from the Memorial Art Gallery, and I can always pop over there to look at art from most any time period when I need a reference. Unfortunately, the "deaccessioning" at A-K lost Buffalo a potential nucleus for such a collection.
Report this
EricOak
Hey Carlmalone,
I was having sort of a somber day and then I read your comment, which brightened my mood with a fast laugh. Thanks! But I do have to confess: I am not a communist, and I am so remote from being a communist that I am somewhat embarrassed by it. More often than not, I'm depressed by the sensibility that comes out of BRO. I'm old guard.
And I'm very happy for the Burchfield-Penney; I think it's exciting to see people talking about art and especially regional art in Buffalo. I wish them well and plan to visit often.
But until the current overseers are out, the BP (along with the hopelessly forsaken Albright-Knox) will never see one coin from me. I'm happy the inside of this building is dramatic--but I expected no less. Given the amount of public tax money that went into their chests, they owed the community a smashing interior. I'm just really sorry that the Burchfield cheated the community out of a better public face to this building. That's the only disappointment here, and I am not afraid to say what BRO will not say: we could have had a much better exterior building. We settled for UB North Campus with this design and I think it's sad...we shouldn't have to settle. What's so negative about that?
The way the BP handled the design process runs so counter to the ethos I see on BRO, was done in such a sequestered and uncooperative way, that I'm baffled that BR continues to post such gushy pieces about it. It's fine to celebrate the arrival of a new museum, but the thick, overwritten, worshipful prose that's oozing out about a project that was, civically speaking, very poorly handled, is disappointing. There's a kind of mental indigestion I get from reading BRO posts on this museum. Let me put it another way: The BRO coverage and the Buffalo News coverage are indistinguishable. That should make you shudder.
But enjoy the museum--we all should. In the future, just ensure that your stewards of art and architecture give you the best product they possibly can. For example, there are two leaders in Buffalo that run circles around the BP and the Albright: Thomas Herrera-Mischler of The Buffalo Olmsted Conservancy and Donna Fernandes at the Zoo. Those people know what they are doing. I look forward to giving them extra money this Christmas.
Report this
sonyactivision
@EricOak, When you hire Gwathmey Siegel to design something, you don't generally open up that process with meetings and public hearings. I'm sure there are many in New York that would have wanted just that when the design for 1Astor Place was revealed. Some architects like more public involvement, Gwathmey doesn't. And the building type basically demands large blank walls unless you can direct circulation areas around a central 'black box' core. This you can do and have loads of fenestrated surfaces. But you can't do that with the budget that B-P had, which for its size, is not all that significant. I think it's a great ammenity and the design, while saccharine, is nonetheless pleasing and functional.
Report this
EricOak
Sony--thanks for your comments.
But I respectfully and totally disagree. Gwathmey Siegel seems to me an astonishingly overrated firm--and they are not the customer; the BP and its community are the customers. The customer, not the service provider, should steer the process. If Gwathmey Siegel's sensibilities were too delicate to have some public transparency about their design, then the BP should have shown them the door. Golly, look at the wreckage that Gwathmey Siegel has done at UB North campus. And we're supposed to respect this firm?
The design is functional--absolutely. Then let us have an appropriately functional response and evaluation of it: that was my point. But the News and BRO have gushed in reverential terms about this building (though the News was more critical and balanced than BRO). That's not helpful to the community; it helps perpetuate Buffalo's acceptance of mediocrity.
I am not sorry the new museum was built--I am glad we have it. But I am sorry it is not better, when it could have been better, when it could have shown a public entrance to the street it hugs, when it could have stoked the imagination at least a degree or two. I'm afraid people are generally not facing the truth about the exterior of this building and the way the BP handled a project using substantial public monies. When we sober up, we'll see it for what it is: a functional reminder of a squandered opportunity for a public space that could have been, if not iconic, at least deeply impressive. This is not deeply impressive, and I think we're disingenuous if we insist that it is.
Report this
hamp
Gwathmey Siegel is one of the most over-rated firms in the country, but Buff State is to blame for the ugly and banal exterior.
On day one, the college should have told the architects that it was a prioritiy to have a building that was welcoming to the general public. They obvioulsy didn't do this, or we wouldn't have this canned ham on Elmwood.
Report this
eliz
For all I spoke to at the opening, the art and interior of the new BPAC more than fulfilled their expectations. I was amazed at how great the art looked; it really demonstrated what a poor space the old gallery was for any kind of art, but particularly contemporary art. The so-called "craft" art was among the strongest work there, and there were sculptures by artists Christy Rupp, Pat Robideau and others that looked phenomenal in their new home. I had seen them before, but never looking this good.
The C. E. Burchfield installations were tremendous as well. Correction on the Drisch: it has 60 panels, not hundreds. I also liked the mix of older and contemporary works, which the Albright-Knox has been doing very successfully as well. There is no need to segregate art by period.
Report this
katiesehr
I did see it in person - In 1989 it may have been relevant but in 2009 it reads as an obvious and safe curatorial decision to emphasize a building's structure as opposed to the ideas it holds. It just read as a commercial print given whatever the process. I would have loved the GRL (graffiti research lab) to have done laser tags on that wall like they did at The Moma -
http://www.vimeo.com/807346
gosh I miss twinkies.
Report this
katiesehr
everything else seemed really special.
Report this
katiesehr
everything else seemed really special.
Report this
sonyactivision
@EricOak, Of course you're right that the community is their customer (as well as the B-P). And it would have only improved that design to involve people such as yourself in that process. Gwathmey does a lot of major corporate work and I think they are used to a small room of principals that have any imput into the process. They certainly have come a long way from the mid 1960's Hamptons retreats that gave Charles Gwathmey his enduring fame and respect. I think the fear, of course, was that too much community involvement would have made havoc with the budget and keeping this project on schedule. Maybe in the future, museums and other public entities should consider a ten year horizon and open the process fully so that as many "customers" are satisfied as possible. In fact, had they done that here, the cost of materials might have come down enough to accomodate many added features. Who knows?
...and lol hamp at the "canned ham" reference!
Report this
jamesbflo
come on, is the exterior really that bad? (i like it, but dont love it) I say give it a chance to grow on you. Maybe it'll be a bit more aesthetically pleasing next summer when the grounds are landscaped and the sculptures go in. Can we atleast all agree that the bp sign is awesome. Were expectations too high despite a paltry 33 mil budget?
Report this
stephenjames716
this place was stunning. it was great to see so many people out enjoying this new space. I'm going to head back on black friday when all museums/art centers are free all day!
Report this
eliz
Well, perhaps this is nitpicking, but it's one thing to dislike an artwork; it's another to call it a poster and a digital print when it is neither. I don't think the Drisch is the most interesting work there but I thought it looked good in the space.
I imagine BPAC will be inviting artists to do all kinds of interesting work in that space--up to, including, and beyond laser tagging--but these shows were to include the collection and the Drisch is definitely one of the few collection works that would carry the space.
Report this
dwilliams666
The most hideous building exterior I've seen in...maybe ever. Canned ham? If only it were that attractive.
Report this
katiesehr
you're so right.
Report this
katiesehr
...bout my poster comment - i like the building. it's so refreshing.
Report this
carlmalone
Dwilliams: i don't think anyone said the building looks like your mom.
Report this
PrincetonElms
Nothing that a few dozen willow trees and tons of cow manure can't hide
Report this
eliz
Katie, I meant to comment before that I hope you get a chance to do something here; your stuff would be fab in the space. Unfortunately, it takes about a year to sign in and get a comment up on BRO these days, so I gave up!
Report this
katiesehr
The purchase of my work for this institution is being discussed but that is all I know right now. I hope they consider a specific purple piece I did - Thank you for the nice comment.
Report this
katiesehr
http://www.flickr.com/photos/33072369@N05/3085303467/
Report this