Artspace Buffalo
Are you experiencing problems with the video? We currently use Brightcove to deliver videos. Click Here to see help and troubleshooting tips from their site.
I have had the opportunity to check out a couple of the units in Artspace Buffalo in the past month. The refurbishing of the five-story, Buffalo Electric Vehicle Company building into artist lofts is largely complete. The 36 units in the original building and the 24 units in the new builds behind the original structure are nearly fully inhabited. Hamilton Houston Lownie Architects, Savarino Construction, Artspace, Inc., the City of Buffalo, and everyone else involved with this project should be proud of the valuable addition to Main Street.
These live-work units were designed with artists in mind, and most of the residents are artists or working in the arts. Residents must also qualify for living in Artspace based on income. What that means is that these quality loft style apartments, that resemble some of the other luxury lofts being built throughout downtown, are going to remain affordable for people who are not rich. This housing is a part of the U.S. Department of Housing and Urban Development program for low-income housing.
The “formula” for Artspace income regulations includes a range of income levels provided for so that folks at 30%, 50%, 60%, and 90% of the median income level for the area may find a home there. This approach is important to provide an alternative to ghetto-ization of public housing developments. In all honesty, these units are beautiful, and they would be desirable to individuals and families at all income levels.
Personally, I thought a home across the street from Delta Sonic was highly unattractive, but visiting a studio that overlooks the giant gas station proved it is not such a miserable neighbor after all. The units looking east over the east side have a nice view of the yard and the surrounding neighborhood. The new builds, which are arrived at via Northampton Street are also complete, and are nearly fully occupied. Rumors are that there will also be a small grocery store at ground level, and a multi use performance space.
The slideshow includes images of two units, the front of the building, the yard behind at night, and the new builds.

Though it may only be the fifth time since 1992 that the Albright-Knox Art Galley has increased its admission rate, the higher fee speaks to the changing face of our society and economy. To keep the gallery in good financial health, it is necessary to increase the price of a regular adult admission ticket from $10 up to $12. The new price will go into effect on January 1st 2009.
The director of the gallery, Louis Grachos, has said that due to higher costs in all areas of the gall …
French satire from the 1600's feels like falling asleep in high school english class. But classic French satire with a rock and roll band? That sounds better. We can thank Andy Liegl for this bold modernity on December 26th when his production of Such Foolish Affected Ladies opens at the Alt Theatre. The original play calls for violinists but this role has been liberally opened up to local band The Nepenthe. "I wanted an indie rock sound, something that my generation can click wit …
It’s funny how history seems to repeat itself. Florence Foster Jenkins was in the elite member of society, but terribly eccentric and utterly convinced that she was a great coloratura soprano – despite the fact that she couldn’t carry a tune for even a few notes. She even managed to hold a sold out concert, even though she couldn’t sing! Sound familiar? Remember William Hung?
Jenkins’ story happened over 50 years ago. She would hold annual recitals in the Ritz Carlton h …
What could be more perfect to spread the news about local artists at the Buffalo Indie Market than a literary magazine that features works from local artists? NOMAD is a new magazine set to debut in January 2009 that will feature writers, poets, photographers, artists, and designers from the area. Erica Eichelkraut, a freelance photographer, created NOMAD and is bringing it to the public. Since Eichelkraut is a part of the Buffalo Indie Market, it wasn’t long before a collaborat … 



Comment Options
Joshua
This is great for midtown - next project watching the Buffalo Motor Lodge being torn down or remodeled for office space.
Report this
eyepharded
Subsidized loft apartmants.... Only in buffalo. Don't worry "ghetto-ization" will probably happen.
Report this
artbuff
Actually, Artspace USA has put together quality subsidized housing for artists all over the country. Buffalo is lucky to be one of their homes: http://www.artspaceusa.org/neighborhood/
Report this
CKBuffalo
Eyepharted: The subsidies Artspace used for this project mirror what they use with all their other projects. They demand that their projects house artists of lower income. Think of it as an incubator site.
The project will not turn to a dilapidated building. They are very responsible landlords and have already discussed doing other projects in Buffalo. You don't spend $16 million on one project and let it fail.
Report this
eyepharded
Its not subsidization in general that bothers me. Its that if you need assitance with paying your rent why should you be entilted to free money for a place that is nicer than alot of apartments that hard working people that make too much for assistance have. I guess I just feel that if you can't afford it and you don't need it to survive than you don't need it. It may sound pretensious but thats how I feel. I know plenty of people that work their asses of and are not entitled to assistance and have shitty apartments. If you need help fine, If you need help to live in a swanky loft don't look my way.
Report this
Change
You may want to check out the only artist homestead program in the country at revyork.com for ideas.
Report this
lukaicostello
What is this assumption that artists are not hard working? Many artists are small business people who put in full -time hours over and above their regular full-time jobs. They are small business people and freelancers who are pursuing their dreams.
Would you ever say that a small business person is not hard working? I doubt it.
Perhaps you should meet some of the people actually living in Artspace and see how they contribute to our larger community before you cast judgment.
Meet me during the Holiday Open Studio Nov 30-Dec 2. More info here: http://www.artistsinbuffalo.org/ Come up to 503 and introduce yourself. You will be welcome like everyone else.
Peace
Lukia Costello http://www.lukiacostello.com
Report this
Joshua
Lukia - do you have black and white prints of Buffalo? I love black and white photography, esp. of Bflo! :-)
Report this
Matthewjohnp
Those lofts in the back look like a shanty town, they spent $20,000,000+ on this project? Someone lined their pockets!
Report this
eyepharded
I never said that artists were not hard working. I will say that being an artist is a lifestyle choice. If this lifestyle choice means that you cannot afford certain luxuries than that was your decision. This applies to any carrier that puts you in the same position. If playing guitar on a street corner for tips made me happy but I was pretty broke I wouldn't expect anyone to help me because it was my decision to be there and I was happy to be doing so. My point is these are not intended for people that come from poverty or situations of abuse or disability, these places are intended for people who chose their current position in life. There is a huge difference between someone who truly needs help and some one who chooses a lifestyle that cannot support their financial wants.
Report this
Jules
Eye... you are incredibly shortsighted. Do you even realize the invaluable contributions these people give to our city?
Knowing the person whom inhabits one of the lofts in these photos, I'd say she's one of the hardest working people I have ever met. And this city is better off for having her live here.
Report this
impressingagent
Well then this becomes a topic about need and not about the artistic intention of the program. I don't think an artist is going to argue about how much something is worth, when it has no value.
Artspace is trying to distract all of the real americans with ideas.You can say that they are needed else where, but that should not be the justification for holding back creative power. Im sure the project has a few extra perks, but these are things you do in order to attract artists. Its like complaining about development in Niagara Falls by saying that we shouldn't have to pay to develop an attraction.
If people want to gather themselves and Shake the Christmas tree, go right ahead. I would be happy to share what fell for me. Some of these disabled people have got cold hands from messing with the star.
Im just glad my rich parents told me i was good with numbers, you won't see this fool be the only one in a night club trying to hustle a free drink.
Report this
Denizen
eyepharded, I bet many of those lazy leeching artists living there know how to spell "pretentious" and "career" correctly.
Report this
AtwaterLouse
As a basis of retort, ridicule of spelling mistakes is as layme as it getz. No doubt Denizen’s email correspondents just love having him point out mistakes like that. Or perhaps that’s a talent he saves only for public web forums.
Re. substance, I think eyepharded made good points, and anybody with reading comprehension skills can see he never implied artists are lazy or not hard working. He clearly said many other citizens who are hard working don’t receive taxpayer-subsidized upscale apartment features.
Although I accept what Jules said that the city is better off for having her friend live here, I think the decision of what city to live in is something her friend should make without special pro-artist incentives from taxpayers. There are many lower-income people in many lines of non-artist work who fit the category of “the city is better off” because they live here. Artists are no more important, nor are they less important, to the city than many other types of low-income work.
Report this
carlmalone
I would second eyehazards remarks. People are simply attacking his argument in a sophomoic manner, as their arguments clearly d not appear to weigh equally. When is doubt attack the messenger, even in this case when he/she is dead on.
One could classify this whole project as racist in approach, uneven and preferential all around. "Because they are artists" doesn't pass the mustard test when it comes to taxpayer subsidies here.
Do they supply each loft with a build-in bong? Sorry, had to stereotype all this nonsense. Maybe EricOak will file for a demolition permit and knock this thing down.
Report this
HelloKitty
Do the residents have a contract where they must produce x amount of artwork? They should. They could sell some of it with the proceeds going to neighborhood development or for the walls/spaces of local community centers. I don't think there'd be a substantial argument against the place then.
Report this
AtwaterLouse
Kitty, in what I've read about this program, I haven't heard of any such contract obligations. Your idea is interesting though, and something like that could reduce my disagreement if amounts of required proceeds is near the amount of tax subsidy, BUT... why have any shell game with money flow? Why not more directly have the money from art sales just pay for rent subsidies, or at least pay for extra amenities that apparently low-income artists deserve (or "need") to be supplied but low-income nurses aides or low-income janitors do not?
None of the artists should take this as a personal criticism of them. I've no doubt many of them make beautiful art and can't blame them for applying for whatever special deals they can get if it's being offered. That's human nature. But if they seriously say they're somehow extra deserving of tax-funded perks because presence of low-income artists is inherently more valuable to a city than a low-income "anything else", then I'll think they're way too full of themselves.
Report this
chiknlil
Do you even realize the invaluable contributions these people give to our city? - Jules
This is an gross generalization of all artists. Many of the artists that I know could care less about anyone except themselves, they wouldn't lift a finger for anyone else and wouldn't contribute anything to the city unless it we all paid an outrageous price for it. I would like to know all of the 'invaluable contributions' that artists are 'giving' to our city, as far as I can tell the only 'art' that I am seeing is the graffiti on buildings and really expensive pieces for sale along Allen and Elmwood.
I am not sure why the taxpayers should help to pay for the living expenses for grown adults, who honestly should be able to take care of themselves. There are thousands of living options available in the area, why do we have to subsidize living here? Is Artspace that much better than one of the houses, or an entire neighborhood 2 - 3 blocks east of this project? For the money that was spent, (someone said $16M), we could have invested $100,000 in 160 houses on the East Side, or we could have invested strategically in a neighborhood that could have used the new residents.
I know the answer, people are making a statement by living here, and we are making a statement by revitalizing this old building. Let's all pat each other on the back for giving something to the East Side that they didn't really need, while ignoring the bigger picture of urban blight and poverty. Oh well, we are paying for it, it is too bad that we all can't enjoy it. Oh wait, I guess we will reap the spoils of the "invaluable contributions these people give to our city" in due time.
Report this
blehpunk
I think that all of you who are being so critical of this project are missing the bigger picture. This is not simply taxpayer subsidized housing for artists. There is a complex funding method that goes into this. Which includes market-rate first floor commercial space subsidizing the below-market rents and building costs, not to mention the millions of dollars supplied by private grantmakers. The money that taxpayers pay is really a drop in the bucket compared to the benefits the community receives (and if I wanted to talk about all of the horrible things my taxes subsidize that I don't agree with, we'd be here all day) Traditionally artists move into cheap loft spaces in 'rough' neighborhoods when no one else wants to. Just their presence helps the neighborhood, they spend money here, they fix up spaces, they are simply around when no one else is. Usually after the neighborhood 'flips' everyone wants to live in the 'artist lofts' and rich people move into their building, forcing the artists out of the neighborhood (by overtaking their spaces, or pricing them out of the area). This Artspace model is simply to prevent the latter part from happening. By reserving space for artists, we are in fact saying "after you do all of this work, we want to make sure you still have a place to come home to here". Building artist living spaces is not some sort of charity event from the governmental powers that be. It's an investment into a neighborhood or a city that utilizes a huge resource.
Oh and by the way, these unit are hardly luxurious. They are only luxurious in how we envision artists living to be. They are large open spaces with wood or concrete floors. They don't have dishwashers, or garbage disposals, or free cable, or anything else you imagine. Yes, they have the basic amenities of any new buildings that have been built or remodeled in 2007. The residents pay the same utilities that any apartment dweller would. They all have basic industrial fluorescent lighting. They are bare bones, but I'm sure beautiful to the artists who will live and work there.
Report this
carlmalone
Blephpunk: At least you are attacking the argument here rather then the marginal crap, so props to you.
To be honest I don't really care how they choose to appropriate lofts in the building, as long they upkeep the facility, which you'd assume private property right conveyance would achieve, and the renovation which is happening. I applaud the whole development as it makes Main Street much better off with it.
But the argument being made does deserve some merit. You raise some good points, but the project still receives taxpayer dollars, and they are NOT that insignificant, just ask Wannamaker. So, the project “selects" artists' for their uniqueness and awards them with a direct subsidy. I mean artists sometimes move into rough parts of the city, but so do other people who make it better, including tradesman (i.e. iron workers, welders), community activists . Why do we not also subsidize them, or why should I say do we correctly not subsidize them and also not subsidize artists. I buy art all the time and this is how I subsidize it, but it is my choice, this project is not. The other stuff about the loft not being luxurious, it is a brand new space nice drawn up with new windows, drywall, new floors (some refurbished), etc. etc. Say what you will but they are nice, new, and not exactly bare bones.
Report this
blehpunk
I can't think of another group that collectively moves into an area and improves a neighborhood. Honestly, when was the last time you heard of a group of iron workers collectively move into a section of a city and help to change the neighborhood for the better? Or the group of welders who created a new cultural center that is attracting visitors? And yes, I do think that the taxpayer dollars ARE that insignificant, when you figure our government is spending tax dollars on $5,000 hammers. There are a lot more wastes of money that we could be collectively arguing against rather than something that has the potential that improve many people's lives, and not just those who live in it. Anyone who is truly concerned with improving a city, I would suggest reading Dr. Richard Florida's Rise of the Creative Class to see how these individuals can transform a city.
Report this
AtwaterLouse
Other wasteful spending matters are complained about too when those are discussed. Just try mentioning Bass Pro around this city. No reason the subsidized artist pads shouldn't be agreed or disagreed with on its own merits, without regard to other wastes.
When I first heard about this, I was surprised it's apparently legal for govt-subsidized housing to show favoritism for a particular job field. Seems it is though, since it's been done in other cities too.
And yes, Florida has made quite a career with his writings advocating the creative class. I'm not aware if he's ever pushed for this kind of program, but maybe he has. No doubt I'm in the minority on this site but I'm very dubious of Florida's claims. Much of what he states seems backwards to me re. cause and effect. Generally, seems to me a good private sector economy can help stimulate arts/culture, but the opposite not so much.
Report this
DJK
I go back and forth in regards to my thoughts on this project.
I'm no economist, but I can't help see it this way - over $16 million in public money, for 60 units = over $250,000 per apartment. Even if 1/2 that money apartments for artists. But they aren't free- artists pay a slightly below market rate. actually goes to renovation of this "non-luxury/bare bones" loft, at $1000 per month, that is over a decade of free
So I agree with someone earlier who posted that "someone is lining their pockets" on this. And I disagree with someone who earlier posted that these projects are designed to prevent artists from being gentrified out of their own neighborhoods. Not here - this is a city demolishing thousands of homes a year! The Onion recently had an article stating that "Proactive mayor Byron Brown bought a used wrecking ball on eBay with petty cash and will be taking the city’s situation into his own hands.” Obviously a joke, but well informed.
It just seems that investing all that public dough in a homeownership program or similar initiative might be a more effective economic trigger. Artists are probably as transient a population segment as you can find - and as soon as they find success - are we supposed to believe they price themselves out of the building? It doesn't mesh.
Sincerely, DEVIL'S ADVOCATE
Report this
DJK
HMMM 2nd paragraph there was supposed to read:
I'm no economist, but I can't help see it this way - over $16 million in public money, for 60 units = over $250,000 per apartment. Even if 1/2 that money actually goes to renovation of this "non-luxury/bare bones" loft, at $1000 per month, that is over a decade of free apartments for artists. But they aren't free- artists pay a slightly below market rate.
Report this
RisingDamp666
Artists don't need subsidized housing, they just need collectors that buy their work. That weeds out the rotten artists who usually end up feeding at the public trough. Artists, like everybody else, also need affordable housing but creative people can usually make an arrangement when necessary. If you want to foster a burgeoning creative economy in Buffalo, just provide the basics at an affordable price, learn to be tolerant of weirdness, and leave creative people to do the rest. How hard is this? Evidently too hard as Buffalo is continually getting pegged as one of America's least tolerant cities.
Report this
eyepharded
"eyepharded, I bet many of those lazy leeching artists living there know how to spell "pretentious" and "career" correctly." Denzin if you are going to take shots at least stick to the point. No one on this site is a flawless speller.
Report this
JiminyCricket
I think this is awesome, but I wonder about parking down there. As in - "Oh shit. My window is broken."
Report this