An Intimate Night Of Piano Music
Ever since the piano was invented, it has been an instrument to draw crowds to hear those talented enough to wield its keys. As an artist grows in prowess and fame, their crowds get larger, the venues get more spacious, and to be fair, something is lost. What could be more pleasurable, more intimate, than sitting in the same room as a talented musician as his fingers dance along the ivory? You certainly can’t find that at any concert hall – not unless you’re willing to shell out large sums of money for front row seats.
What would it have been like to sit in the same room as the composers of eras gone by and watch as they made the piano sing? Harry Mursten isn’t a composer, but as a talented musician, he can bring composers like Debussy, Gershwin, Chopin, and Beethoven come to life. You'll think you went back of time and while sitting in an intimate setting, just like they might have actually played in, you’ll get to hear their music and life’s work resound throughout the Darwin Martin House.
A more perfect and scenic setting couldn’t be asked for as you are regaled in the splendor of the Darwin Martin House while listening to the works of masters on the Steinway Grand Piano. This salon-style piano concert is one that you can’t find at a big music hall, even if you sat in the front row, so don’t miss out. The concert takes place on November 21st at 7 PM at 125 Jewett Parkway. Tickets are $30 per person or $25 for members and space is extremely limited. You can reserve a ticket by calling 856-3858. Brief listening notes will be provided to those in attendance, serving to enhance the performance even further, so be sure and call for tickets as soon as you’re able.
For more information on the Darwin Martin House, please visit their website.
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BuffaloBloviator
I have some experience with this type of thing. I have hosted literally hundreds of piano salon gatherings that feature jazz - "the great American songbook" and classical music.
There are two ways to approach this.
One would be to have rows of seats and everybody sits quietly and formally like a concert.
The second approach is less formal and creates a relaxed lounge environment. People are free to stand around the piano if they want to and they can move about the room freely.
Conversation is allowed throughout the music but the performer has the option to ask for quiet during certain performances, such as certain classical pieces. If any individuals get too loud, it is not that difficult to politely calm them down or draw them off to another room.
I have found the second approach to be the most rewarding. People will return again and again if the environment fosters socializing rather than stiff seating arrangements.
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