City February 3, 2013 8:08 AM

A closer look at The Fargo House: A Center for Urban Imagination

A closer look at The Fargo House: A Center for Urban Imagination
A new type of urban revitalization is taking place inside the West Side home of Dennis Maher. The local artist and professor of architecture at the UB School of Architecture and Urban Planning has turned his home, now known as "The Fargo House," into a creative space where strategically placed found objects blur the barriers between the home and the city that surrounds it.

Maher rescued the Fargo Avenue house from demolition in 2010. Since that time, he has been transforming it into a work of art, allowing his imagination to unfold across every surface of the home's interior. Maher's work at the Fargo House breathes new life into found objects by using them to build imaginary cityscapes that meld right into the walls, floors and ceilings of the house, thus transforming them from barriers to sources of growth.

"Many of the objects that I collect are house-like: bird cages, jewelry boxes, dollhouses, things that seem to suggest shelter or enclosure," Maher said. "They get absorbed into the walls and start creating fictitious cityscapes, unknown structures that inspire the imagination. I love the idea of a secret box that promulgates other openings, that acts as a catalyst for creativity."



Wandering through the house, one realizes that the interior becomes a reflection of the surrounding city and the potential for rebirth. Maher uses objects from thrift stores, estate sales, flea markets and demolition sites to create these cityscapes, simultaneously breathing new life into the objects themselves.

"I'm interested in thinking about the lives of objects, in the way that things move in a city," Maher said. "It's in the nature of objects to move around, and this house has become a collector and consolidator of the animate lives of matter."

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Maher has also incorporated visions of the past life of the house itself by uncovering and preserving various hidden elements. He saved the old façade of the exterior of the house before painting it, scraping back the layers to expose the colors it once wore (lead image). He did the same thing inside the house as well, documenting generations of interior renovations. 

Building off the creative momentum of the Fargo House, Maher launched another project with the help of eight skilled tradespeople from the demolition and construction fields: a carpenter, plumber, electrician, roofer, mason, flooring installer, weatherizer and painter. Each of them was asked to utilize the materials common to their trade to create small sculptures. 

These works were incorporated into Maher's current exhibition at the Albright-Knox Art Gallery, "Dennis Maher: House of Collective Repair." The exhibit, which highlights the intersections of construction, demolition, art and architecture, is currently open and will be open until May 12, 2013.  In addition to Maher's work and that of the tradesmen, the exhibit includes a Fargo House documentary created by a group of students from the Buffalo Academy for Visual and Performing Arts. 

In conjunction with Maher's work, a group of artists from the Starlight Studio and Art Gallery created their own collective piece, also currently on exhibit at the Albright-Knox. The "House of Collective Embroidery" was inspired by the artists' two-mile trek from the Albright-Knox to Maher's house. Along the way, they took photos of buildings that sparked their interest. These photographs were drawn onto fabric, and then embellished with embroidery to create a portrait of our city.

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For more information on Maher's exhibition, visit the Albright-Knox website. For more information on the Fargo House, visit thefargohouse.com.

Photos: Buffalo.edu

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great stuff! thank you Dennis!

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I read about this guy in the New York Times last week. I think it's very cool what's he's doing! I included him in my round-up of interesting Buffalo articles that I'll be posting on my blog on a weekly basis.

http://www.ichoosebuffalo.com/2013/02/01/spotlight-on-buffalo-ver-1/

-Zandria

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Is this home lived in or is this a studio? Located at 287 Fargo Ave, the home is a two story space with a cottage setback on the right side. Two homes and the cottage stand between it and the D'Youville parking lot at Fargo and Connecticut St.

If I was not warned beforehand, I would assume that this is a home of a compulsive hoarder. The interior is ruined. We are all aware of the layers of history in the homes of the Westside but this is a little over the edge in the wrong direction. It looks like a feeble attempt at publicity for all the wrong reasons. It is one thing to display artifacts of the actual home itself, but to drag in deer targets, bird cages, and newel posts discarded just lacks a coherent vision.

So this is what we are teaching our architecture students at UB? No wonder strip plazas and driveit exist. Now I know why we deaccessioned our antiquities collection at the Albright-Knox. To fund this junk.

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Ah, wouldn't be a [insert day of week] without your usual destructive, insulting, uninformed, misguided, condescending, misspelled banter.

replied to Old First Ward
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Screw you pompous jerk. Get your facts straight before running your big mouth. My opinions are well researched and thought out, yours come out of your ass (mouth). I see you are the BRO troll. As usual you manage to arrive on the scene to hurl your baseless insults without any substantive objective opinion. I proved your incompetence with the D'Youville thread.


replied to LouisTully
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Unlikely, guy. If I'm a troll, so be it. Not to get too wrapped up around votes, but yours are usual in the negatives so I must not be too far off in my criticisms.

"The interior is ruined" How so? It's been worked on by tradesmen. Sounds like an opinion. That came out of your ass (brain).

"It looks like a feeble attempt at publicity for all the wrong reasons" Again, how so? Because it's a form of art? Because it's thinking outside the box and making something out of a deserted house?

"So this is what we are teaching our architecture students at UB?" That there is no constraint to form? What are your credentials for architecture?

You call me pompous but you come on here and hurl insults (much like your bff, paulsobo: http://www.buffalorising.com/2013/01/sticks-and-stones-at-464-gallery.html ) at artwork simply because you don't like it or understand it.

If you schooled me on D'Youville then right back at you on the Webster Block. You hop on a thread analyzing the Sabres and sling comments that have nothing to do with the article. All because you are frowny and whine because they're developing a vacant block into a mutli-use that is going to attract people from around the country, year-round, and appeal to people of many tastes. Because you don't use an ice rink you cast it as a net loss and a stupid idea.

And please stay out of my neighborhood. Stick to the First Ward.

replied to Old First Ward
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"It's been worked on by tradesmen?" Wow! So that legitimizes it as beautiful? If that was the criteria for beauty we wouldn't need any restorations. It is a house full of dollhouse furniture, and discarded junk displayed all over the home. It is hoarding for publicity. I don't consider it art. But you love it so good for you. Now maybe the city can raise his assessment from the $20,000 it is listed at. Time to justify that all that artwork.


UB architecture professors have a history of bad judgement especially with canal walls. Yeah, I was at that meeting when that was said. When I see this, I have to wonder what direction the department is heading into.


We can decide the Webster Block outcome when it is built. I staked out my position. If at that time I change my opinion, I'll say so. I don't agree with the location.

My mistake with that dryvit spelling. Either way it is crap too.

replied to LouisTully
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No one used the word beautiful and I never said I love it. But coming online and belittling a person's passion sounds a lot more troll-like than anything I've done.

It says a lot about a person when they can find constructive words to say about something they don't like rather than just letting critical diarrhea flow from their mouth. You'd think being from the First Ward would've taught you that some optimism and positive attitude might be something needed in this town.

Do you have any affiliation with the School of Architecture and Planning? Do you have any affiliation with UB? Is it something you should be worrying yourself about?

replied to Old First Ward
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And research a little harder next time. It's called Dryvit, which is a name brand for exterior insulation finishing.

replied to Old First Ward
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You know what they say . . . "One man's junk is another man's treasure". So its not your thing. That doesn't mean this persons' work isn't valid.

My feeling is that it shows a vision that works outside the box. There is real creativity here that achieves a real WOW factor. I would like to see more people working on projects with a similar artistic bent like this.

Look at the work that Kathleen Kinan is doing on Grant Street and Sue Cholewa is involved with over on Amherst Street. These are people with real artistic vision, fortitude and drive.

They are the people I look up to for ideas on my own renovations.

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It's all about the packaging. With a decent mission statement any would be hoarder can be transformed into genius. I would say that this house ifs far from any strip mall that I've seen lately and with enough guts maybe more homes could deviate from the safety of medical architecture. I think the more criticism it receives only adds cheerfully to the overall effect. I'll take deer targets over historical wannabe-ism any day of the week. Now if it would just spill out onto the porch...

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Oh dear boys, why not find a sustaining project and invest yourselves into something noteworthy? Collect some interesting industrial artifacts and ponder the possibilities, get mad with something beautiful. I will agree that UB architecture projects have been god-awful and my position has been contrary to those who applaud the efforts of rotating facades and dangerous playgrounds. Maher's tact and delivery is sharp and opening his house of obsessive repair/disrepair to the public is brave. Let it rip.

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