lifestyle February 9, 2010 12:18 PM

Bound and Gagged: Graphic Documentary @ Hallwalls

Bound and Gagged: Graphic Documentary @ Hallwalls
Holding hands (puke), sweet kisses (barf), skipping merrily to an overpriced dinner at an overrated restaurant (gag), there is one thing that will make these abusive sights tolerable for the broken-hearted this Valentines Day and it is Graphic Sexual Horror.

The award winning documentary will be presented at Hallwalls, Friday, February 12th, at 8 PM. Graphic Sexual Horror examines the subterranean world of bondage, discipline, sadism and masochism (BDSM), and the infamous bondage website Insex.com, so naughty it was shut down by Homeland Security in 2005.

Barbara Bell and Anna Lorentzon directed the 2009 documentary and previously worked at Insex.com as respective photographers and screenwriters. Their film ultimately becomes an inquiry into the most extreme of workplace power dynamics, the definition of art, and government intervention, bringing viewers face to face with personal prejudices and values.

Bound and gagged, whipped and dunked, the unusual juxtaposition of beautiful models and horrifying torture seems to have an erotic effect on viewers and models alike. In one particular section of the documentary there is a girl, tied to post, who is whipped. When the filming ends, the model looks high.

In an interview with New York Press, Lorentzon, explained that her reaction was due to the adrenaline. "When feeling enough pain, the body produced endorphins and adrenaline, which makes you feel high," said Lorentzon. "At that point, you don't feel the pain anymore. Not all models were willing and able to go that far."

The violent pornographic website was established in 1997 by dark-minded artist "pd" after leaving his position as a Professor at Carnegie Mellon University. Throughout the 80s pd lived and worked in Buffalo, and has always incorporated bondage and sadomasochistic themes into his paintings and performance art pieces.

Insex.com, at one point, had attracted more than 35,000 members worldwide. The distinct subculture of BDSM was in affect romanticized by pd who created a sexually poetic, raw and seductive scenes. Japanese bondage art, horror films, Baudrillard's Simulacra and serial killers inspired pd's imagery. His creation and interpretations have heavily influenced Western bondage and what it has become.

The shocking documentary, Graphic Sexual Horror, includes original Insex footage, interviews with creator and mastermind pd, models, members and staff. The film reveals the terrifying façade of Insex.com and delves into the most difficult of questions regarding personal responsibility. 

Tickets for the screening are $7 general admission, $5 students/seniors and $4 for members. Hallwalls cinema is located in the basement of Babeville, 341 Delaware Ave. For more film information visit http://www.graphicsexualhorror.com.
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The website for the documentary says Friday the 12th. I am going to take that date to heart. I am glad this came out early enough for me to plan to go.

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I don't get it.

This is the same site that praised the closing of a small porn shop on the cocaine & drunk strip... I mean Chippewa St. That shop didn't carry anything as extreme as this, but was called a blemish on the strip & bad for the coke area... I mean badfor the neighborhood by the readers & posters at this site.

Yet it's cool if Hallwalls runs something much more extreme, beause they call it art, a documentary, & it's Hallwalls showing it.

If it wasn't at Hallwalls, the Buffalo vice squad would have shut down any porn shop for showing or selling material like this.

I'm not against showing the material to an adult audience, just against the hypocrites & addicts that call anybody else that does bad or a blemish in the community. If it's bad for a small shop on Chippewa to do something, it should be just as bad for Hallwalls to do the same thing or worse.

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good call. I don't have anything against this consenting adults doing whatever they choose. That includes purchasing things from porn shops, even on Chippewa.

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....really? really??? this may very well legitimately fall into the convoluted description of what we define as ART, but that does not make it healthy consumption for the human mind or soul. at the risk of jeopardizing a friendship, i wonder if ed cardoni is going to take his teen age daughter to this screening....or if he would enjoy seeing her in one of these 'art flicks'? will elena be taking her daughters?

when we cater and pander to the most prurient and degenerate manifestations of human self gratification, we come perilously close to the dehumanizing standard set by the lead intoxicated romans, when they enjoyed their ultimately self destructive 'bread and circus' era. let's all make a sincere effort to grow up here kids, and take some individual and social responsibility.

perhaps i am guilty of criticizing what i have not seen first hand, but i watched the trailer, and quite frankly i don't want these disturbing inhumane images in my already overly assaulted psyche.
didn't we just crucify chris collins for making a joking reference to a lap dance?

if this must be shown, at least institute this door policy,
"...children admitted free when bound to an adult."

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Well, I didn't watch the trailer, and it's not a movie I'm inclined to go see, but if the participants are consenting adults, it's nobody else's business, imo. And if willing adults want to watch, it's also their call. I don't think society has any right to tell consenting adult individuals how they may or may not behave with one another, sexually or otherwise. The key is consent.

replied to paul morgan
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biniszkewicz: your sentiment is all very well, in a vacuum - as it were, but there IS no way of actually verifying that these are indeed consenting adults of legal age, is there? will there be verified contractual agreements available for inspection at the door? this is, after all, a pastime of individuals who enjoy the acts of imprisonment, bondage and torture. who are we to presume is doing the independent verification?

i very much agree that it is indeed no one's business what two consenting adults do in the privacy of their own dungeons ~ it IS however EVERYONE'S business what a not-for-profit does with public and community monies.

in this instance, i am very disappointed in this particular screening decision, by an organization, and individuals, i otherwise continue to hold in great esteem.

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Paul, while this film is certainly not for everyone, freedom of speech in this country is. So first of all, I respect that you are entitled to your opinion, no matter how ill-informed I think it is. You’re right—it’s awfully hard to criticize something that you have not seen. Understanding that you do not want to, I’d just like to clarify that this is a documentary and, as such it raises the very questions you pose about personal responsibility--although the filmmakers do not take the hard and fast line that have the answers. In the words of the filmmaker, Barbara Bell: “One of the most important and complex issues that we address in this film is the question of consent. Consent makes all the difference in the world – between a model consensually performing before a camera, and the horrible actuality of real torture, where coercion and brutality rule out consent of any kind. In some ways, these models are being paid to be stunt performers. But nudity and sexuality give it a distressing intimacy.” You may be disappointed in this programming choice Paul, but many people who were unable to see this film when it premiered at Hot Docs in Toronto are quite pleased they will have an opportunity. As you know, at Hallwalls we’ve always offer a variety of programs, often challenging to audiences--whether it is an experimental film that has nothing but static shots of lakes, or whether it’s a narrative film about lesbian sexuality. As the media arts programmer I stand by my decision to bring this film. We’ve got great programs coming up, including documentary videos by Termite TV Collective (Feb 20) and 16mm films by Ukrainian-based filmmaker Naomi Uman (Feb 28). We look forward to seeing you at them.

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