City October 21, 2009 9:27 AM

Architectural Design: What to Replicate, Redesign or Save

Architectural Design: What to Replicate, Redesign or Save

The October issue of Metropolis magazine focuses a bit of attention on Buffalo and on the Martin House complex in particular. The magazine has some nice things to say about the City of Buffalo, and they also offer a philosophical question to ponder. 

Karrie Jacobs notes Buffalo's glorious past and precipitous fall from grace, writing, "...the Buffalo I found when I finally made my first trip there this summer was a pretty and vibrant place."  She made her way around city and complimented the many restored buildings, took note of the "luxuriant back yards" of Garden Walk and praised the "extraordinary Western New York artists" shown at the Burchfield Penny.  Once again Buffalo as a whole gets some very good national press, even though the focus of her story had to do with the newly restored Martin House complex designed by Frank Lloyd Wright. 

She praises the new Toshiko Mori designed visitor center and the extraordinary quality of the Martin House restoration, but notes that she is troubled by the reconstruction of demolished buildings. She poses this quandary: "Once a landmark piece of architecture is gone, is it better to re-create it, or let its absence tell the story?  Does re-created experience trump the value of authenticity?"  She notes that she understands the urge to replace the missing buildings but states, "there is something weirdly soulless about the freshly-minted historic structures."

I found myself straddling the fence on this issue, so I started setting some rules to allow myself to determine what I think is the correct approach to restoration and reconstruction.  I am not the only one to do this.  Professional restoration designers, historians, and organizations have rigorous standards to inform the best course of action when proceeding with restoration and replacement of historic architecture.  This is such a big issue that I can't possibly cover it adequately here--and this is not just a Buffalo issue.  

As I write, the Greeks are reconstructing the Parthenon with new marbles being carved on-site, in the manner done thousands of years ago.  As well, thousands of less spectacular building restorations depend on our ability to recreate missing pieces such as moldings, windows, and carvings.  Architecture is an art, but it is also more than an art.  It forms the backdrop for our lives and is the product of an architect's talents, but also that of many craftsmen and laborers. Deciding what to replace in a restoration is a delicate balance between bringing back the space and experience and creating a pretense.

In the case of the Martin House, I believe that the Restoration Corporation is doing it just right. They rebuilt the missing buildings based on vast amounts of photographic and written documentation, including the actual construction drawings and the record of actual historic materials.  They did not proceed with portions of the work until they had sources for materials that exactly matched original material. They were also not replacing an entire building in a different location.  This project put back a missing part of an existing building, a part that was integral to the experience of the whole building.  The Martin House was a shallow echo of what it was intended to be without the pergola, garage, and conservatory that were recently reconstructed.  In this case, perhaps I am influenced by the selfish joy I get from being able to visit these buildings that should never have been removed.  Also, when it came to building the new visitor center on the Martin House campus, the Restoration Corporation did not commission a fake Wright building or one that mimicked the original.  They built instead a boldly contemporary structure that compliments the original.

Buffalo has built 2 other new "Wright" buildings in recent years (a mausoleum in Forest Lawn and a boat house on the Black Rock Canal), and plans another.  But these cannot accurately be called Wright designed buildings.  They are more accurately called buildings based on Wright concepts.  These buildings were developed from concept sketches and drawings not fully detailed by Wright. Wright was notorious for changing a building design as it was being built, often taking down portions that did not satisfy his goals.  He joked that his favorite design tools were a sledgehammer and a crow bar.  These resultant contemporary, new Wright buildings did not benefit form his presence during construction, and they contain many interpretations and outright changes based on contemporary needs and budgets.  They are attractive and interesting to see, but fall in a much fuzzier area of the architectural moral code.  Should they have been built? Again my selfishness kicks in and enjoys the ability to experience them, not so much for their Wright-ness, but for what they provide as a place to be.

Then there is Canal Side; it is big in the news these days as detailed plans have been revealed for a potentially spectacular project. This major development project was born in controversy over reproduction versus restoration of an original part of the Erie Canal.  Thankfully the real canal was restored and will form the seed of a redeveloped waterfront.  The irony here is that the real canal will be surrounded by buildings that seek to recreate a historic-feeling canal village that was cleared off the earth decades ago in favor of parking. 

canal shot.png

The new project does not seek to rebuild exact copies of historic buildings from which we can learn something about canal era Buffalo.  Rather, the new plan calls for new historic-ish architecture.  The proposed urban design thinking evident in the many lavish renderings showing complex urban spaces is beautiful and compelling.  The architecture with its interpretation of an olden-days canal town inside a modern city is far less so.  In my opinion, we miss a great opportunity at this location when we ban the inclusion of contemporary buildings expressive of contemporary thinking and technology in architecture.  To do "pretend history" here, with warehousey, lofty-like, old-timey-looking mill buildings, where everything from the canal era was wiped away decades ago, seems silly to me.   Don't get me wrong--I want this to be built and believe it will be very good for Buffalo.  But I think it is odd to build fake history here, especially when you realize that just one block east of Canal Side is a block containing the last remaining REAL canal era buildings.  And they are in danger.

south park corner.png

These buildings--that are authentically historic--are currently being allowed to crumble from disinvestment and neglect. They are in the area shown on the Canal Side plans label as the Cobblestone Loft District.  Most of this "Cobblestone" district currently consists of massive asphalt parking lots.  A small patch of Buffalo's earliest industrial history remains in the Cobblestone District and can still be saved. Perhaps we can head off this question of architectural mortality and morality in the future.  If we save the buildings with real history we won't have to worry about replacing them with fakes in the future.

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Elena, another good article. I'm very disappointed how the Skyway Side project has evolved. It's going to be a gimmicky mall. Instead of working with existing buildings and encouraging organic infill, they are pushing an 'experience' on the public. The Erie Canal history museum? Gone. Fishing for carp at an outdoor tank to placate BassPro? No problem.

Their plan also mentioned that they will build it as market conditions warrant. With Buffalo's demographics, what national retailer will locate at the waterfront other than a Starbuck's or a Jamba Juice huddled next to BassPro? Consequently, how quickly will development actually occur? How can it occur in a shrinking population?

The build-anything-build-it-now crowd will surely be pleased but the new car smell will wear off quickly and Buffalo will be stuck with a lemon unless drastic changes are made.

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I meant Steel not Elena. (Elena, you have good articles, too.) Now, time for coffee.

replied to PaulBuffalo
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Paul, I think Canal Side is meant to be a regional attraction, so the demographics of the city of Buffalo itself are not really an issue, any more than the demographics of Cheektowaga (per capita income of $19,627) are an issue for the Walden Galleria. Did you have the same objections ("how can it occur in a shrinking population?") to the Galleria's expansion, which seems to have been quite successful?

I think if done right, this could be just as successful as the Galleria. Look how many Canadians come to the Galleria to shop. Given the choice, I'm sure many would be just as willing to shop at Canal Side (it's certainly closer to Fort Erie).

I too have some misgivings about the "outdoor mall" emphasis of Canal Side. I hope it ends up as much more than that. But how can it be bad for the city to redirect some suburban and out-of-town shoppers into the city? It will bring people downtown and increase the city's tax base.

replied to PaulBuffalo
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The Walden Galleria took market share from other malls. Remember Como Mall? Remember Thruway Mall? It reshuffled the deck and added modern amenities, but it's not a regional attraction any more than Boulevard Mall was in the 1970s. (Canadians shopped there at that time.)

National retailers are very wary of leasing space in tourist areas, like Skyway Side, because retailers want a dedicated customer base. Foot traffic at tourist areas fluctuates wildly.

replied to JSmith
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Well, competition's not a bad thing. (Although you can make a valid argument that public funds should not be subsidizing one retailer at the expense of others.)

I will not cry any tears if Canal Side takes market share from the Walden Galleria. If we can start bringing retail and people back towards the regional core it may help curb the sprawl without population growth that is so devastating to our region.

replied to PaulBuffalo
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You're assuming that retail will be brought back to the retail core. There is no evidence or reason for it to happen. No national retailer is going to give up their space at Walden Galleria to relocate at Skyway Side until BassPro proves itself as a true destination that can bring in guaranteed -- and monied -- foot traffic. Food court tenants will probably appear near BassPro, though.

replied to JSmith
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I agree with you, and the "until" part isn't even needed.

Walden Galleria with convenience of 200+ stores, many prominent national retailers, and being all indoors for year round shopping... will be preferable over the waterfront for almost all retailers even if Bass Pro does great.

I doubt that downtown and the waterfront combined will even become the top retail district in the city. North Buffalo will be. Home Depot, Target, Kohls, Marshalls, and about I'd guess about 50 other stores mostly along Delaware (without needing help from Larry Quinn and Jordan Levy).

replied to PaulBuffalo
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A. The success of Bass Pro has been well demonstrated and other retailers are well aware of its drawing power. Because it is a unique retail environment and not the usual big boxes in a sea of parking, don't expect Kohls or Target to seek or receive any invitation to open in Canalside.

B. The success of Canalside cannot be measured by whether it enables Downtown to overtake other retail centers in the metro, but whether other kinds of developments piggyback onto Canalside which would in turn, reenergize Downtown with new housing, restaurants, galleries, etc. That is why it is getting EZ financing to begin with! If it were any other kind of cookie-cutter shopping center with little else to offer than cheap towels, there would be far less public backing. If Canalside's $300 million investment spurred another $3 billion in new development Downtown over its life, would you still be whining? Actually, yes you would.

replied to whatever
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I echo Paul's question - what happened to the Erie Canal Museum? Anyone know? Or is it part of Jim Sandoro's downtown museum plans?

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The problem is that right now, the canalside area is empty parking lots and empty lots, so there are no buildings to "restore". I think the current canalside plan clearly is trying to fill the goal of bringing people to the site, and the theme, in theory, is history. We can argue about exactly recreating historic structures versus "old-timey" looking builidngs, but the fact of the matter is that the canal side area has nothing to work with now, and it would be hard pressed for anybody to come up with money and reasons to replicate historic structures, especially in this economy with these budgets. Also, since nothing is built yet, the other buildings in the complex may turn out to be pretty spectacular buildings, and we wont know until we see it. I dont know specifically the design guidelines, but I would hope, after all the public meetings, that we would be getting a fairly good product.

Steel, right on, I am with you and sick of looking at real historic buidlings crumble in Buffalo. I have yet to buy your book but I will shortly...your work in showing Buffalo's history has been great. Clearly, the City still doenst see the full value in hisoric structures as yet with endless demolitions, but Canalside may get private developers interested in the remaining real historic Cobblestone buidlings. Perhaps, for example, the Metro Rail terminal will be looked at in an entirely different light after this is all built. Perhaps there will be interest in the grain elevators. Buffalo needs to get people into these areas. Needs to get money into these areas. Without people, there is no need, and hopefully Canalside will continue in a big way the repopulation of this area. Also, the historical potential in this area isn't just limited to the immediate canalside area, and the potential going forward is huge. There needs to be a big draw and sometimes just history isn't it to bring the masses and real development. Afer all, there isnt much remaining tangible "history" in the immediate canalside area remaining. Perhaps that new car smell wont wear off if canalside continues to spur development and rehabs through the Cobblestone district and beyond. Whatever happens, I think in 10 years we will be looking at a vastly improved Buffalo, and that is a good thing.

Now, about the Bills....


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good points. a dense population downtown is the key to making this a sustainable venture, and revitalizing all of main st.

replied to Urbanica
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Canal Side will not be fake historic buildings. The new buildings will be designed in the federal style, or canal era style. Its like designing any other building in the city. Look at the "newer" Toro Tapas restaurant. Does it look fakey/historic? No. The architect properly scaled the building to fit into its surroundings (which were built in the 1920's). Do we condemn the design of Toro? No. We celebrate it because it looks like it belongs there. Actually, we don't make an issue of it, because it doesn't look out of place. Here's one we should condemn: The new house built on Forest at Rumsey. It is way out of scale, has an incorrect color choice (too bold), its turned 90 degrees compared to the other houses in the neighborhood, etc. You look at that and say... ew. Will we look at canal side and say "God, this looks like a suburban strip mall", or will we say "Gee, this looks like this belongs here".

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A federal style building built in 2009 would be an (authentic) expression of nostalgia. It might be an attempt to confuse the public's understanding of history if its set adjacent to an actual historic site.

replied to Balth
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With that logic, the Darwin Martin House doesn't fit in it's neighborhood. I'm sure people were not happy when that was first built.

replied to Balth
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The new house on Forest looks okay to me; I wasn't even sure if it was new, the first time I noticed it. Its long side is against the sidewalk because it's built in the former back yard of 4 Rumsey, so the lot is only 51 feet deep.

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ugh, it's horrid. It's a fake brick tacky square. A narrow lot is no excuse for cheap \ poor design. There are many great houses on narrow lots around the city.

replied to Verdan
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As for the question of real - fakey it is all about the details in my opinion. Wood is wood, brick is brick. If you build in a similar manor following proper urban design principles. Then the outcome will be good. It will be new, but will still feel good.

It is when you use cheap materials, or completely different construction methods but yet try to be historic looking that everything falls apart. The DMH as you mention did the right, and I also relish in the ability to walk in that pergola once more. The view, experience and feel of the space feels right.

The renderings of Canal side actually are quite disheartening to me because they seem to have throw away all details about trying to be honest to historic instead to use it as a gimic. Waterwheels \ design styles \ atrium spaces \ water tubes \ water falls... all these things are gimics that didn't exist and wouldn't have ever existed.

How many round buildings are there from this era? and why the hell is there one in the middle of one of the canals...

K.I.S.S. The current phase I of the project is extermely sucessful, to the point of disbilief by people around the area and new people to the area because it is simple and works well. Good quality materials, interesting sights, basic design.

Canal Commons is a joke of a structure and really ruins the whole thing. useless bridges around the site... too many levels to confuse people. It will be like walking along the all but abandoned pedestrian bridges to Nowhere Inner harbor.

Their first model was good, simple, it made sense for that area. Now they are trying to clutter the space with useless and confusing details. You go to the Erie Canal now.. you see, experience history. You can almost imagine the buildings that were once there... this plan obviously deviates from that in an attempt to be some Florida-esque urban renewal project.

http://www.cooltownstudios.com/images/wpb-cityplace.jpg

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"there is something weirdly soulless about the freshly-minted historic structures." This remark would not have appeared in Metropolis Magazine if the Martin House was in Manhattan or Chicago. Buffalo is not a World Class City so when something happens here that is World Class it must be taken with a grain of literary salt. Unfortunate but true, in my estimation. And personally I really don't care because our hotels will be filled and our city will be recognized as a tourist destination and that's all that really matters.

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I dont think there is anything weirdly soulless about freshly minted historic structures. Its how their done that is the problem. Europe is filled with historic buildings destroyed during war that have been reconstructed because their are integral to the history and culture and city/neighborhood. Its no different here in the United States.

We can easily rebuild or build unconstructed Wright Structures if they add to the value of our community.

We can rebuilt lost Buffalo buildings and construct new buildings of any period without issue if their design is correctly reflecting of the period. There should be no difference in someone buying antique art, jewelry, furniture, buildings etc...and buying period reproductions of art, jewelry, furniture, buildings, etc.

Buffalo is one of the few cities that can get away with reconstructing and constructing buildings of any architectural period. Why? Because our city is old and the majority of its buildings are old.

The problem only comes in projects like canalside where architects take period architecture and embellish it to some disney like interpretation. Canalide would be much more fashionable for the long term if its buildings were more closely related to the period rather than going for the short term style impact which will grow old and tired and obsolete in a few decades.

Buffalo should have modern and contemporary but it will never be able to complete in the arena of excellence compared to modern growing monied cities in the US and throughout the world. However, Buffalo is 60% empty so there is plenty of room for it.

Buffalo can and should offer world class architecture of every period because we have and can accept period architecture.

A pre/post-civil war, an artsncrafts, a federal or beaux arts, an art nuveau etc could all be constructed in Buffalo if done properly and be accepted. But you cant build those buildings in Miama, Atlana, Los Angeles, etc.

Buffalo should and does accept what it is...however...it is the architectural elites that tell us what we should have that are the problem.

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Good article STEEL, Two points- First, I understand the quandary in restoration vs reconstruction. It is always better to retain as much original fabric as possible but new materials are acceptable if carefully matched to the original in quality, design, and especially proportion. I replaced all exterior millwork on my circa 1830 Federal Style house due to the advanced state of decay from years of neglect. I was careful to replicate all details as originally constructed and the end result was that few were able to discern the difference.
Second, I must take issue with the the statement "one block East of Canal Side is a block containing the last remaining canal era buildings", Actually Black Rock contains the largest concentration of authentic canal era buildings and homes, dating from the 1830's through the early 1900's.

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Since its now clear that Canalside is not preparing to intelligently address and respond to its context with subtle architecture I'm wondering if its better to embrace the cheapness, gimmickry and history-fudging only because its what might engage the public.

The Darwin Martin House is great but it was funded mostly for posterity, magazines and tourism and not the average WNYer's day off. I just wish Banalside would drop the Historic District pretense and hire Frank Gehry.

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The architecture at Canalside will be little different than the faux-historicist claptrap present in nearly every retail shopping mall, lifestyle center, or big box. Does anyone examine the facade of a Lowes and its contextual relationship with a suburban neighborhood? I think form does follow function at Canalside since it will only exist to deliver a product to shoppers, rather than replicating canal-era Buffalo. It's merely thematic as opposed to replicative. The real debate about reconstructing long lost historical treasures is in Berlin, where hundreds of millions are slated to be spent rebuilding gems that were destroyed in WW2. Talk about the issues of "preserving memory"!

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"I just wish Banalside would drop the Historic District pretense and hire Frank Gehry."

LOL Got $4 billion? That's what Gehry's little CANCELLED "masterpiece", Atlantic Yards in Brooklyn was going to cost. He's no longer involved and another architect with a value engineered perspective has replaced him. I'm all for starchitects coming to Buffalo to build cool stuff. Sadly, the return on investment for their designs is poor, even in major cities. But you're welcome to dig deep and bring Rem Koolhaas over here to give Main Place a nice 'refresh'. I promise endless applause!

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How do you calculate the return on architecture anyways? Wouldn't it have been nice if, back then, there was a brighter, maybe more expensive mind designing a Buffalo Central Library, or a Main Place Mall, or a Marine Midland tower. Instead, we got what they paid for.

replied to sonyactivision
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I think Ms. Jacobs raises important questions in her article. What we have is a project that's a hybrid origional & facsimile. That's not to say that tourists & natives shouldn't come and enjoy the experience. But it's something that we have to always remember as we walk through. Every complex project has questions from the contractors and items not clear on the construction documents. How the architect answered those questions at the time of construction can be critical to how the project turns out. For someone of Wright's caliber this is particularly true. I believe Ms. Jacobs asked, with the Martin House's reconstruction, why not the Larkin Building as well? That being said, the money has been spent and from all indications those involved in this project did a great job. Just keep in mind that there were a couple of different architects involved in this particular project and not just the master.

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Much of the interior of Sullivan's Prudential building was destroyed by fire and obviously redone by another architect. Does that make the building less worthy or historic?

If an FLW or other architect remodels a pre-existing building then does that make the building less historically valuable.

As time progresses, every building is going to have changes. Some incorporated by the architect at the time of construction, other later through an addition, demolition or remodel.

Is there a difference between a newly constructed building which say the Larkin Administration Building would be and say the reconstruction of the buildings part of the Larkin Complex or the restoration or a remodel back to its original construction.

Sorry but its rare to find a 100 year old building purely intact from the point of its construction which is what the elites say qualify.

Buffalo isnt part of the west and sunbelt with new modern and contemporary are predominant. Buffalo and parts of the Great Lakes are part of the northern east coast port cities dating back to before the civil war. We can have the best architecture of the last 150 years and it will fit easily into the fabric of our city. Buffalo can have contemporary and modern but it cant compete on levels of excellence. Forget Disney and forget Vegas. Buffalo should accept architecture of all periods so long as it is the best architecture that our city can afford and accommodate.

Architecture, history, culture, family, food, faith, sports, activies, education, etc falls into the category of quality of life. This is an area that we are rich but sadly Buffalo nearly ended up like Niagara Falls, NY. A city demolished for urban renewal and never rebuilt. Had Niagara Falls, NY never been demolished then it would be much more of an attraction today.

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