City September 25, 2009 2:04 PM

Collectors Gallery at the Albright-Knox Closes

Collectors Gallery at the Albright-Knox Closes
Yesterday we received an email from a local artist who said he was distraught with the closing of the AKAG's Collectors Gallery, a volunteer run gallery that showcased local artists, allowing for viewing, rental and purchase of the works there. It started out as The Picture Lending Library in 1933.

It was here that many local collectors began their acquisition of important works, and the artists involved were grateful, to say the least, at having their art exposed and bought in the prestigious gallery.  Featuring artists from everywhere, it was especially a boon to locals.  

Today, the Albright issued the following public statement:

The Collector's Gallery of the Albright-Knox Art Gallery will close on October 31, 2009.  "The decision to end this program, which has existed since 1933, was a difficult, but necessary one," Albright-Knox Director Louis Grachos said.  "It is part of an ongoing audit of all of our activities as we strive to build a more efficient operation," he continued.  

Collector's Gallery Volunteer Chairwoman Eras Bechakas added, "This decision has been made to help ensure the stability and growth of the Albright-Knox Art Gallery for the future."

The closing of the Collector's Gallery does not in any way diminish the Albright-Knox's commitment to the art and artists of Western New York. 

The Albright-Knox Art Gallery will continue to be a driving force in the expansion of the regional, biennial exhibition Beyond/In Western New York, which was reformatted in 2005 to become a twelve-venue exhibition that in 2007 received almost 60,000 visitors.  This outstanding curated, invitational exhibition provides an essential platform for all Western New York artists.  The exhibition further serves to call national and international attention to the wealth of artistic talent in our region.   The Albright-Knox will continue to allocate significant resources to this project to ensure it remains a strong and growing component of its exhibition program and looks forward to Beyond/In Western New York 2010.

Supporting the work of Western New York artists will also remain a key component of the Albright-Knox Art Gallery's strategy for the growth and development of its Permanent Collection and its exhibition program.  In recent years more than seventy works by Western New York artists have been purchased by the Gallery for its collection.

Area visual and performing artists will also continue to be supported through the weekly Gusto at the Gallery program, which offers free museum admission to the public on Friday nights and regularly introduces new audiences to the arts.  Over the last several years, Gusto at the Gallery has created opportunities for hundreds of visual and performing artists from across Western New York.

In recent years, there has been significant growth in opportunities for area artists to exhibit and sell their work locally, including the establishment of more than fifteen new galleries in Buffalo that promote and advance the work of Western New York artists.  The Albright-Knox Art Gallery and the Collector's Gallery are not in a position to compete, nor do they wish to, with these successful, flourishing venues at the expense of a focused pursuit of the Albright-Knox's mission.

Collector's Gallery Volunteer Chairwoman Erras Bechakas said, "The volunteers and Gallery staff will spend the next few months deciding how we can best support the Gallery and area artists in new and exciting ways in the future, and I look forward to that."



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First he sells the gallery's defining pieces. Now he ends a popular program in existence since 1933. Certainly leaving his mark on this place, hardly in a good way though.

Why doesn't BRO follow up and figure out what exactly happened to the money gained from selling off its best pieces? How has the gallery improved since then? Seems like the gallery has done one thing since the sell off: gotten worse.

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It hurts to admit that your city's premier institutions can't afford to keep up with the Joneses but that's where the AKG is and if selling off some of the family jewels keeps the house from falling down, so be it. It's just stuff. Maybe this will spur the Burchfield Penney to bring that program over there. Since they are more closely associated with regionalism than the Albright Knox, it would be a better fit.

replied to br_boy
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FYI, the deaccessioning of artworks from the collection was not simply one person's decision. If your wish is to lay blame at the feet of the Director, it bears noting that the sale of these works (none of which could really be called, "defining") happened at the peak of the market; in retrospect, the timing was nothing short of genius. To some, this would make the Director and the Board look pretty smart (and/or lucky). To the best of my knowledge, the monies garnered are in a fund that is to be used only for the acquisition of new artworks.

I lament the closing of the Collectors Gallery but understand that life is change, and I am looking forward to the upcoming Beyond/In exhibition.

As for the AK's "best pieces"- many of them are currently on display right in the galleries! I saw them myself just this morning.

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Agree, with the Art market in the crapper right now, their timing was flawless. I would love to see what they are able to purchase in this market and what they would have paid two years ago for said art work.

replied to 07newbie
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I loved the Collector's Gallery and it was always an important destination during my visits because it enabled me to see fresh works not always from local artists. I remember a few pieces that I regret not buying to this day. This news is very sad. I'd normally scream in protest at this action, but the economy is wreaking havoc at museums across the country and this turn of events is an unfortunate, but not surprising, one.

As far as br_boy's comment above that the museum sold off its 'defining pieces', it's just not true. I miss those works and regret their loss -- I didn't support it -- but in a museum of thousands of works, the museum's identity was not wrapped up in the relatively few that it sold off.

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I read about major galleries across the country building wings to house their new and expanded collections and have heard about the possibility of a satellite space here for far to long....write that off as rumor , it leads me to to wonder what happened to the generous art patrons that have graced the city in the past....has the corporate greed that created the mess we are now stuck with - consumed the good intentions of everyone? no heroes left? Finally after looking over the recently acquired work at the Albright ( it considers recent as 2006) I can't help but lament on what a nice complement the Kiki Smith piece would have been to the Diana bronze that was stolen from our midst

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For the last 2 years, my work has been included in the Area Artists Show, which provided wonderful exposure for me. As a regional artist working and living in western New York, the collectors gallery offered a unique opportunity to have my work hung in one of the great art institutions in the United States, and juried by the AK curatorial staff for which I am grateful. The rental and purchasing opportunities allowed my work to circulate and be seen by people who would otherwise not have been exposed to my art.
With the closing of the collectors gallery however, local and regional artists are effectively shut out of the Albright Knox. This bastion of culture in our midst becomes a walled fortress, with no visible connection to our areas' rich artistic community.
Certainly the collectors gallery which was staffed by volunteers, cannot have that much of an effect on the AK's overall budget.
I know arts funding has dwindled, we are all making do with less these days, but you are closing more than a gallery, you are taking away an opportunity which can and has made a difference in many emerging artists' careers.
I believe the decision to close the collectors gallery is both short sighted and wrong.

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is state of the art becoming art of the state?...

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Why would the art community be impressed with the profits of an art sell off like this? I like the idea of keeping art for the sake of art....not to sell it when you can make the most profit. Art is not, in no way shape or form, a commodity. But that is what this board and director did, treat art as though it were a commodity and they were selling oil when it was high. Disgusting, an absolute outrage that still makes my blood boil 2 yrs later.

But what the AK gave up in this 'profit taking', read the people's reaction here: http://www.nytimes.com/2007/03/21/arts/design/21albr.html Yeah, love how the bidders were saying "You'll never see anything like this come on the market again." Because no one with half a brain, would ever consider selling them if in their possession.

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I wonder if any downtown landlords or Elmwood village property owners would be willing to donate leased space for this gallery? Clearly the gallery serves a very much needed role in promoting local Art and is a community asset. The many empty storefronts dotting Elmwood or the many empty storefronts along the 500 block of Main St come to mind.

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The leadership of the gallery is faltering. We won't realize it until it's too late, but that's what happened with Studio Arena too.

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Some of the monies made from the big tent sale a couple of years ago are slated to buy contemporary art, which is the emptiest, most overpriced and spiritless market in the art world right now. It's a world of bloated conceits and cliches, painfully self-conscious intellectualizing, and small talent.
This latest news is no surprise; the museum continues to decline.

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